Agamemnon a Tragedy by Aeschylus Essay -- polytheistic ideas, grecians,

Aeschylus’ well-known tragedy of Agamemnon allows one to closely look at the treasured polytheistic religious ideas of Ancient Greece and how the Grecians relied heavily on the thought of free will versus fate determined by their gods. With the play being set and written in Greece, the polytheistic lifestyle is apparent and unabashed as the culture of the time would have seen the play to be easily believable; the entire audience would have been familiar with the various gods and goddesses as well as being familiar with the situation that begins the play: the Trojan War. Aeschylus was also able to reveal the Grecian mindset of morality, revenge, and justice through the characters’ actions and dialogue; the idea of jealousy and revenge is particularly notable was it was common for one generation of a family to take revenge for a wrong done to them in a previous generation (Constantakis), such as Aegisthus as he seeks revenge for his father through the act of murdering Aga memnon. The Trojan War is now seen by some as a war that never truly took place, but those sitting and watching the play unfold would have seen the chaos and imagery of the battles told by Aeschylus as brutally truthful and real. The bloody war was fought over Helen who was taken by Paris to his homeland of Troy to be his bride; however, she was already married to Menelaus, Agamemnon’s brother. The war ends as Troy falls and that is where Agamemnon begins as news breaks of the victory and all seems to be well as there is now peace. The triumph only allows for devotion to the gods to be shown as Clytemnestra, Agamemnon’s wife and future murderer, immediately kindles alters for worship and proclaims that the gods themselves have sent the sign of good news starting ... ...shers, 2002. Print. Brunel, Pierre, ed. Trans. Wendy Allatson, Judith Hayward, Trista Selous. Companion to Literary Myths, Heroes, and Archetypes. New York: Routledge, 1996. Print. Bullfinch, Thomas. Bullfinch’s Mythology. New York: Modern Library Paperback Edition, 2004. Print. Constantakis, Sara, ed. Drama for Students: Volume 26 – Presenting Analysis, Context, and Criticism on Commonly Studied Dramas. New York: Gale, Cengage Learning, 2009. Print. Hamilton, Edith. The Greek Way. New York: The Norton Library, 1930. Print. Hamilton, Edith. Mythology: Timeless Tales of Gods and Heroes. New York: Grand Central Publishing, 1942. Print. Liston, Robert A. Who Stole the Sunset? New York: Thomas Nelson, Inc., 1974. Print. Shipley, Joseph T. The Crown Guide to the World’s Great Plays from Ancient Greece to Modern Times. New York; Crown Publishers, Inc., 1984. Print.